Raymond
Kaleoalohapoina'oleohelemanu Kane was born in 1925 in Koloa on the island
of Kaua'i . His middle name can be translated into English as ";the
voice of love that comes and goes like a bird and will never be forgotten."; It
describes his outgoing personality, which has earned him status as one
of slack key's most beloved and colorful characters. Ray grew up in Nanakuli
on O'ahu's rugged Wai'anae coast where his stepfather worked as a fisherman.
On his mother's side, Ray is related to many famous Hawaiian musicians,
including Andy Cummings, Genoa Keawe, Marlene Sai, Mekia Kealakai and
others. From an early age he immersed himself in their traditions. His
natural father, Herman ";Manu"; Kane, was by all reports an extraordinary
slack key player, but left home when Ray was only two. At age nine, when
Ray felt a call to play slack key, he had to turn outside of his family
for lessons. This was very difficult at the time.
";Back then people wouldn't teach you unless you were family,"; Ray
says. ";But I was a good diver, so I made a deal with Albert Kawelo. I gave
him fish and he gave me lessons."; Ray also credits Henry Kapuana and the
radio with teaching him songs in the early days. ";Back then I used to take
my guitar everywhere,"; Ray says. ";My favorite spot was Zablan's beach.
It was so quiet at night. There was nobody around. I'd sit and play and watch
the moon shine down on the waves.";
In the 1940s, Ray joined the military and traveled to Europe and
the Mainland. ";I didn't have a guitar,"; he says, ";so I didn't
play much, but I thought about it a lot and even dreamed about it."; When
he got back home, he heard the first records by the legendary slack key guitarist
Pops Gabby Pahinui. ";That inspired me to start playing again,"; he says. ";After
Albert, for me, it's Gabby. He had the true Hawaiian style; his voice, his timing,
his touch: you can really feel it in the heart. I play a lot of his songs. I
owe him a lot.";
In 1961, the Tradewinds label invited Ray to make his first recordings. ";It
was a great experience, but there was no money in it,"; he says. ";I
had a family, you understand, so I just played out a little on the weekends. ";The
1970s brought new attention to traditional artists in Hawai'i , often elevating
them to the position of media celebrities and role models for the young. It all
began for Ray in 1973 when the newly created Hawaiian MusicFoundation asked him
to give formal concerts. This was something new for slack key. It brought the
music and musicians to an entirely different audience. ";I don't know why
they picked me,"; Ray says. ";I wasn't famous. I wasn't playing steady
anywhere. I was just trying to stick to the style I learned back in the 1930s.
Maybe that's why, but the next thing I knew people were asking me to play all
over the place. All kinds of people came to those concerts. They'd just sit there
and listen, then applaud after each song. I was in a state of shock.";
Ray's humor delighted concert audiences. His soft, romantic music
made them relax and even cry. ";Hey, sometimes it makes me cry too,"; Ray
says. Unfortunately, at the height of his new-found fame, he had to quit playing
due to serious medical problems. In the 1980s he resumed playing and teaching. ";I
like to teach one-on-one,"; he says. ";I tell all my students to do it
your own way, from the heart. And don't talk stink about the other guy. Humble
yourself. Play the best you can and share what you know.";
In 1987, in recognition of his performing and teaching, Ray received
a National Endowment for the Arts Folk Heritage Fellowship, the nation's highest
honor for a traditional artist. He was also recognized by theHawai'i state government
and the city & county of Honolulu . That same year, Ray appeared in Robert
Mugge's Hawaiian Rainbow documentary and made triumphant appearances across the
Islands . Around this same time he began recording for Dancing Cat Productions. ";Meeting
the folks at Dancing Cat was a dream come true,"; Ray says. ";They've
helped me, my family and all the slack key guitarists in so many ways. They really
love the music and it shows. They're taking real good care recording us and taking
our music all over the world.";
P UNAHELE , Ray's first album for Dancing Cat, came out in 1994.
Mixing familiar standards with songs Ray had never previously recorded, it quickly
became a local favorite. His second release on Dancing Cat is entitled W A'AHILA
. It also blends songs that Ray's many fans know and love with exciting new additions
to the repertoire. The fourteen originals and standards include such classics
as Wai O Ke Aniani,Hi'ilawe and I Ka
Po Me Ke Au along with rarities like Keiki Slack Key, Kila
Kila O Haleakala and a brand new original, Popoki Slack Key,
composed in honor of Dancing Cat. ";Popoki is the Hawaiian word
for cat,"; Ray explains. In addition to the well known taro patch and wahine
tunings, Ray also performs in the very rare A Maunaloa Tuning.
As a special bonus, W A'AHILA features several vocals by Ray's lovely
and talented wife, Elodia Kane. Anyone who has seen her in concert knows that
Elodia is a powerful singer whose natural voice and charm make magic. Ke Kali Nei
Au (The Hawaiian Wedding Song) , the heartfelt duet she and Ray sing,
has a special meaning for them. As the album notes explain, they actually met
through singing the song. ";And it's kept us together eversince,"; Ray
says. ";I'm glad we finally got to record it. It's dedicated to our kids
and grandkids and anybody that's in love like we are.";
Like all of Ray's music, W A'AHILA is suffused with his uniquely nahenahe(relaxing)
style. It radiates both a deep respect for tradition and an infectious love of
life. As health problems have again limited Ray's mobility, the album serves
as his ambassador reaching out to touch the hearts of slack key fans everywhere. ";People
call from all over theworld,“ Ray says. "; Europe , Japan , Canada ,
Australia , even places I've never heard of. They say 'Is this Ray Kane the guitar
player?' I say 'yes, it is' and they go into shock. They get so excited they
start shaking like a leaf. But seriously, they call because they love the music.
And I just thank the Good Lord for giving me the talent and this many years to
share it
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